Piano Solo performed by Christina Robertson A piano number based on this hymn tune. It is best used as a prelude, offertory, or reflective postlude. William B. Runyan wrote the hymn tune in 1923. It was popularized by its attachment to Chisholm’s lyrics, “Great Is Thy Faithfulness.” Lamentations 3:22-23. This Read more…
Piano Solo performed by Christina Robertson A brief, meditative piano number to follow the joyful but sometimes hectic Christmas season. Tune by Ivan Burnett, Jr.
Piano Solo performed by Christina Robertson Well-suited as a Prelude or Offertory or as a very somber conclusion to a Maundy Thursday service. “Let All Mortal Flesh Keep Silence” The lyrics are from the 4th Century Liturgy of St. James, translated by Gerard Moultrie in 1864, and based on John Read more…
Piano Solo performed by Christina Robertson Gentle arrangement for piano to be played as a Prelude or Offertory.
Piano Solo performed by Christina Robertson A keyboard number appropriate as a Prelude or Offertory.
Piano Solo performed by Christina Robertson A brief piano number, appropriate as a short prelude or offertory.
Piano Solo performed by Christina Robertson This meditative piano piece is appropriate as a prelude, offertory or quiet postlude.
Piano Solo performed by Christina Robertson You may also call this “A Lenten Meditation in A Minor.” It is a brief piano number appropriate as either a prelude or offertory or even a postlude at the end of a Good Friday service.
Written for organ. This organ arrangement is based on the tune used for the hymn. “HOLY MANNA.” Listen to a soulless, computer generated, MIDI recording of this piece:
Written for piano and SATB choir. While appropriate throughout the church year, this is particularly appropriate when the lectionary calls for Zephaniah 3. This is a joyful, bouncing number with a lot of unison singing. Listen to a computer generated MIDI recording of this piece: